An experiment of rice paper sculpture by making a mould in plaster first. I intend to incorporate the obsession of finding human forms and applying human emotions in landscapes in Chinese ink art, while emphasizing a sense of loss, regret and one's company that's never been realised by the infinite emptiness created by the hollowed form, a form where the emotions were restrained by the tension between external and internal space, softness and hardness, stillness and movement...
An experiment of rice paper sculpture by making a mould in plaster first. I intend to incorporate the obsession of finding human forms and applying human emotions in landscapes in Chinese ink art, while emphasizing a sense of loss, regret and one's company that's never been realised by the infinite emptiness created by the hollowed form, a form where the emotions were restrained by the tension between external and internal space, softness and hardness, stillness and movement...