I overlapped the silhouettes of figures from footage of parting scenes that were published on Chinese social media, playing with negative space that keeps converting into positive space. They merged with their surroundings and each other. Again, most facial expressions are concealed, except for one suggested face composed of mingled silhouettes in the prominent off-center position of the picture. Instead, the visual takes over emotional expression through the interplay between shapes and lines.
I overlapped the silhouettes of figures from footage of parting scenes that were published on Chinese social media, playing with negative space that keeps converting into positive space. They merged with their surroundings and each other. Again, most facial expressions are concealed, except for one suggested face composed of mingled silhouettes in the prominent off-center position of the picture. Instead, the visual takes over emotional expression through the interplay between shapes and lines.